BrickHouse Photo School

Tips, Tricks and Reviews for Photo Hobbyists

Posts Tagged ‘photos

Visions of Rock

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What do John Mayer, Bryan Adams, Lenny Kravitz and Patti Smith have in common besides being talented musicians? They are also talented photographers.
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American PHOTO magazine, Nikon with additional support from Epson, sponsor Visions of Rock, a Website and exhibition that highlights photography by some of the world’s most well-known musicians.

Visit Visions of Rock to see the works by these and other top musicians.

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Written by jeremyparce

March 16, 2009 at 7:08 pm

Sports Photography: Catching the Action

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Sports photography is tough. In fact, I think it’s one of the more difficult forms of photography because it is a balancing act. A good sports image should balance emotion with action and it’s a tough wire to walk.

If you have an interest in sports photography or are thinking of a career as a photojournalist, then you should spend some time looking at great sports images and studying the photographers who make them.

Try to anticipate the action so you're not always shooting "behind the game." (Photo Credit: Jeremy W. Schneider)

Try to anticipate the action so you're not always shooting "behind the game." (Photo Credit: Jeremy W. Schneider)

Here’s a few samples you should check out:

  • Bob Martin: Bob Martin is a top sports photographer located in the UK. Martin has photographed the last ten Summer and Winter Olympics and has been published in numerous publications including Sports Illustrated, Time, Newsweek, Life Magazine and Stern.
  • Brad Mangin:  California-based photographer Brad Mangin is a regular contributor to Sports Illustrated and Major League Baseball Photos. Mangin is also a founding owner of SportsShooter.com.
  • Dave Black:  Dave Black’s images have appeared in Sports Illustrated, Time, Newsweek, and ESPN. He also conducts workshops in sports photography.

Some Simple Tips
For the most part, readers of this Website are amateur photographers and students. With that said, if you’re reading this and are interested in sports photography, it’s probably because you have a kid in sports or are a student wanting to hone you sports shooting techniques. While I’m not an expert in sports photography, I want to share a few basic tips that should help you make better images.

  • Get tight: Don’t be afraid to zoom in tight on the action. Zoom in and catch the up-close action.
  • Use Different Shutter Speeds: Try different shutter speeds to capture images with a different look. The slower the shutter speed, the more motion blur. Sometimes you can make an interesting image with just the right amount of motion blur to give the subject a sense of movement.
  • Look at the Faces: Sports photography isn’t just about the action on the field, it’s about the emotion of the athletes. Try shooting tight on the athlete’s faces and look for images that express emotion.
  • Predict Movement: Try to predict the games actions. Look for key players and watch as they move about the field. Try to guess where the action is going to be so you’re not  “behind the game.”
  • Keep Both Eyes Open: Good action photographers have the ability to keep both eyes open: one eye in the viewfinder and one eye tracking action.
  • Move Around: If possible, move around the field or court for different views. Also, try sitting and kneeling in addition to standing. You can get some interesting photos just by changing your body position.

Don’t Be ‘That Guy’
If you’re on a crowded sideline or court, remember to respect the other photographers who are also there. I want to mention this because of an experience that happened to me a few years back.

I was assigned to photograph an Ohio State football game and the sideline was packed with photographers. I got there early, found a spot that I wanted and set up shop. On my left was a photographer from the local Columbus, Ohio, newspaper and to my right was a photographer on assignment for a national sports magazine.

Everything was working quite well as me and my neighbors shot for the first quarter. During the second quarter, another photographer from a regional newspaper decided he wanted where we were and started pushing, squirming and squeezing his way in between me and the guy on the right. A field marshal noticed what was going on and this photographer was promptly removed from the area.

Don’t be “that guy.” If you happen to find yourself on a crowded sideline, remember to use a little courtesy.

Extra Tip
If you’re a student and happen to get a field pass to photograph your school’s team, let me add a few more tips. First, don’t cheer. You’re there to do a job and not to be a cheerleader. If you want to cheer for your team, stay in the stands or tryout for the cheerleading team. Second, don’t wear school colors. Again, you’re there to do a job. Dress as neutral as possible. Finally, don’t “chimp.” “Chimping” is the act of reviewing every shot you take on the LCD screen the moment you get a chance. Some people will tell you not to chimp because it looks unprofessional. I will give you a practical reason: It will drain your batteries faster than you can imagine. A sporting event is going to be pretty taxing on your batteries, so help conserve batteries and don’t drain the batteries faster by reviewing every single image. A periodic check is OK but don’t become a chimp.

Good luck and keep shooting!

Written by jeremyparce

March 8, 2009 at 8:06 pm

Keep Your Eyes Open and Be Patient

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Since photography is a form of visual communication, it seems a little silly to tell photographers-in-training to keep their eyes open. Once you start concentrating on composition, camera adjustments and the like, however, it’s easy to forgot to just stop and look.

There’s a whole world going on outside of your camera lens and you have to train yourself not to be too myopic. It’s not easy. As you’re learning the steps to go through to make a good image such as making sure you have the correct ISO, white balance, aperture and shutter values selected and making sure a ton of other things that can go wrong, don’t, you simply forget to look.

Digital cameras have made the whole photographic process much easier and has brought photography to even more people, which are all good things. The downside, however, is that people spend less time composing good images and more time “spraying-and-praying,” a term I heard once for someone who just takes a whole lot of pictures and prays one of them turns out OK.

In photography, we measure time in fractions of a second and as any photographer knows, a whole lot goes on in 1/250th of a second. That’s why it’s important to keep your eyes open and learn to anticipate an event.

Patience is also a virtue not lost on photographers. I know I have spent countless hours waiting for something to happen in front of my lens and it seems right when I’m about to give up hope, an opportunity presents itself.

Be patient and keep a lookout for good images to appear. (Photo Credit: Jeremy W. Schneider)

Be patient and keep a lookout for good images to appear. (Photo Credit: Jeremy W. Schneider)

I use for an example this picture of a little boy riding the lamb. I was sent to cover a fair in Gallup, New Mexico, and it was the last assignment of the day. It was hot and I wanted nothing more than to shoot the assignment and go back to the hotel and in the air condition. Yet, nothing was visually pleasing. It was the typical fairground scene and there were no images that really made me happy. Then I heard over the loudspeaker an announcement asking any children who wanted to participate in the “mutton bustin’” to report to the arena.

I decided I would go and see what “mutton bustin’” was because it at least sounded interesting. Then I saw this little boy with his flame-throwing helmet and I knew the image was going to happen.

An occasional good image may be chalked up to accident or luck. To successfully, time-after-time, make good images isn’t luck or happenstance. It’s training and using your knowledge to work to your advantage.

Good luck and keep shooting!

Written by jeremyparce

February 25, 2009 at 12:21 am

Photographers You Should Know: Edward S. Curtis

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Information for this article was received from the Smithsonian Institution.

Edward S. Curtis is one of the most widely recognized, and sometimes criticized, photographers of American Native people. For more than three decades, he traveled the American West and Alaska photographing Native Americans.
Born February 16, 1868, in Wisconsin, Curtis took an interest in photography – then an emerging medium – at an early age. He built his first camera when he was a teenager and by the age of 19, he owned part interest in a photography studio in Seattle, where his family had moved.

‘Sioux Chiefs.’ (Photo Credit: Edward S. Curtis via the Smithsonian Institution)

‘Sioux Chiefs.’ (Photo Credit: Edward S. Curtis via the Smithsonian Institution)

In his twenties, Curtis began photographing Native American in the Puget Sound area as they dug for clams and mussels. One of his earliest photographs of Native Americans was of Princess Angeline, the daughter of Sealth, the Suquamish chief after whom Seattle was named.

In 1899, at the age of 31, Curtis became the official photographer of the Harriman Expedition into Alaska. After this, he began his 30-year quest of documenting Native Americans in the United States.

Curtis funded his expeditions personally – acquiring a tremendous amount of debt – and by soliciting funds for his work. Some of his donors included President Theodore Roosevelt and railroad tycoon John Pierpont Morgan.

Curtis documented nearly 80 Native American tribes and made nearly 40,000 photographs and 10,000 recording of Native American speech and music. Like most scholars of his time, Curtis believed the Native American culture would be lost as Native Americans were brought into the mainstream culture. He wanted to create both an artistic and academic volume of work before the cultures “vanished.”

Curtis died in 1952 and the bulk of his work was forgotten. During the 1960s and 1970s, however, his work was “rediscovered” and is now recognized as one of the “most significant records of Native culture ever produced.”

Give Images Depth: Use the Foreground, Mid-ground and Background

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Although a photograph is two-dimensional, you can create a sense of depth in your photo by creatively using the foreground, mid-ground and background.

You have to think of your image as a canvass and work to make all of the layers in your canvass work to your advantage. You don’t want the layers to compete and you don’t want the viewer to lose the message you’re attempting to convey in the image. You want all of the layers to work in harmony to keep your viewer on message.

Again, like most techniques, this tip won’t work for all images. It’s up to you to play around and see what works best for each situation.

How it Works
The idea for this technique is to show depth, meaning that there is something between the background and foreground or the background and the subject. The way to do this, is it insert another item into the mid-ground.

Look at the motocross photo (Example 1) for a better idea. Motorcycle number 138 is still the subject of the photo but the motocross rider in blue helps separate the subject from the red-rock background. Thus, it provides a sense of depth.

Example 1. (Photo Credit: Jeremy W. Schneider)

Example 1. (Photo Credit: Jeremy W. Schneider)

Depth can also provide tension in the image. It can show spatial differences in subjects, thus providing a sense of tension. For example, look at the motorcycle race photo, Example 2. By capturing an image that shows the three motorcycles staggered, it creates a sense of tension. We know, just by looking at the image, there’s a race and these three competitors are very close to one another.

Example 2. (Photo Credit: Jeremy W. Schneider)

Example 2. (Photo Credit: Jeremy W. Schneider)

Trying adding some depth to your images by creatively weaving all of the layers together. It will help you make better, more visually-compelling photos.

Good luck and keep shooting!

Written by jeremyparce

February 22, 2009 at 8:03 pm

Pentax Announces Book to Benefit Childhood Cancer Research

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I will often publish media releases related to photography on this blog in order to help keep you informed. These media releases are created by the respective companies. I edit the releases for space as needed.

GOLDEN, CO – PENTAX Imaging Company recently announced the PDML Photo Annual comprised of artwork from 59 photographers from around the world.  This book will benefit Childhood Cancer Research.

The project, led by Mark Roberts, an instructor in multimedia at Youngstown State University, with photographers Doug Brewer of Richmond, KY, Bill Robb of Regina, Canada, and Scott Loveless of Harrisburg, PA, brought together 59 artists in 15 countries to create this work. Their Internet-based approach facilitated coordination between the editors and dozens of contributors scattered around the world.

Photographers uploaded their images through a web site, where the editors could view them and exchange ideas and opinions through email. The book was assembled electronically and uploaded to an online publishing site where copies are printed whenever orders are placed through the web.

Mark Roberts’ partner, Dr. Lisa Teot of the University of Pittsburgh Medical Center, is a pediatric pathologist and member of the Children’s Oncology Group, so they decided to use the book to raise money for the National Childhood Cancer Foundation’s CureSearch project (www.curesearch.org).

The PDML had previously undertaken a project selling photography-oriented items online to raise money for the CureSearch project, a charity dedicated to raising private funds for childhood cancer research by the Children’s Oncology Group, the world’s largest cooperative cancer research organization. (In addition, one of the photographers contributing to the project, Dr. Rick Womer of Philadelphia Children’s Hospital, is a COG member.)  100 percent of the profits from sales of this book will be donated to the National Childhood Cancer Foundation.

The PDML Photo Annual 2008-2009 is available now at http://www.blurb.com/bookstore/detail/573542. For more information on the PDML Photo Annual, see http://www.robertstech.com/pdmlbook or contact Mark Roberts at msroberts01@ysu.edu.

Photo Critique 4: ‘Barb,’ by Jona M.

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I love critiquing photos. It’s the best way to learn and get new ideas for photo shoots. Today, we’re going to critique an image made by Jona, a former student of mine in Miami, Florida.

'Barb," by Jona M. of Miami, Florida

'Barb,' by Jona M. of Miami, Florida

General Overview:
Jona, as usual, when you put your mind to doing something, you do it well. This is a nice image and it’s good to see you flex your creativity. The staging on this shot is very nice and I’m glad you decided to do something a little more stylish – the hair over the eyes – than just a simple, head-on shot.
Again, this is a nice image due to its simplicity. You use a simple theme and let your creativity shine through without forcing the image.
Great job.

Improvements
There are a few improvements I would like to suggest. First, I’m not sure I like the graduated background. I would like to see the image with a solid background, especially the blue. If you are going to use a graduated background, work on the vignetting in the right corners so the brown stays relatively consistent. Also, there’s some vignetting going on in the left corners with the blue. If the vignetting is intentional, perhaps a little more would make it look so, versus now, which makes it look accidental.

Second, you need to work with the model on facial expression. I’m not particularly happy with the way the lips formed in this image. Don’t be afraid to tell the model what message you would like to convey in the image so she knows what to do. Give her a theme and see what she comes up with.

Third, spend some time in Adobe Photoshop and clean up some of the fly-away hair. Then, retouch the skin so it’s a little more smooth and consistent. Finally, there’s a hotspot on the right shoulder that you should try to tone down just a little bit.

As usual, you did a great job overall. Keep up the good work and I look forward to seeing some more images from you.
Thanks for the submission, good luck and keep shooting!

If you would like to submit a photo for critique, e-mail us at submissions@brickhousephotoschool.com.

Written by jeremyparce

February 21, 2009 at 6:04 pm