BrickHouse Photo School

Tips, Tricks and Reviews for Photo Hobbyists

Posts Tagged ‘wide-angle lens

Trip Through the Canon Store: Wide-Angle Lenses

leave a comment »

A lens is a tool. Most people forget that for some reason but simply enough, a lens is a tool that we use to make an image. Like all tools, at the risk of overextending the analogy, the better the tool, the better the finished project.

In our last installment, we discussed the basic facts related to lenses and then looked at Canon’s ultra-wide zoom lenses. If you didn’t read that article, you really should because it explains the basic mechanics of how a lens works.

Today, we’re going to look at the company’s fixed focal length, wide-angle lenses. I have always been a fan of prime lenses. Prime lenses are defined as lenses with a fixed focal length versus zoom lenses which have a range of focal lengths. I like prime lenses because they are generally very well made and typically cost less than zoom lenses. I also like prime lenses because they typically have a larger maximum aperture than zooms and often weigh less than zoom lenses.

There are, however, advantages to using zoom lenses. Zooms obviously cover a broader focal range, thus eliminating the need to carry multiple lenses. If you purchase a zoom, I highly suggest buying one that has a fixed maximum aperture throughout the entire zoom range. Although more costly, they are worth the investment.

Canon’s Wide-Angle Lens Selection
Canon currently manufactures nine prime wide-angle lenses. Of the nine, one lens is a fisheye and three of the lenses are L-series.

EF 14mm f/2.8L II USM: This pro-series lens has an amazing 114-degree angle of view and is a perfect lens for architectural applications. The lens also features better optical elements that reduce problems in edge-to-edge sharpness. It is dust- and moisture-proof and the ultrasonic motor (that’s the USM designation) means you’ll get faster and more responsive autofocus. This lens isn’t cheap, though. Expect to pay between $2000-$2200 US for this pro-series lens.

EF 14mm f/2.8L II USM: This pro-series lens has an amazing 114-degree angle of view and is a perfect lens for architectural applications. The lens also features better optical elements that reduce problems in edge-to-edge sharpness. It is dust- and moisture-proof and the ultrasonic motor (that’s the USM designation) means you’ll get faster and more responsive autofocus. This lens isn’t cheap, though. Expect to pay between $2000-$2200 US for this pro-series lens.

Canon's EF 15mm f/2.8 Fisheye lens: If you’ve never seen images made with a fisheye lens, you’ve missed out. The fisheye lens has a 180-degree angle of view and barrel distortion giving the image a curved look. With its f/2.8 maximum aperture, this lens works well for photographing fast-action subjects and with its 8 inch minimum focus distance, you can get really close and really wide. This is a specialized lens and you probably won’t use it everyday. But when you need to give your images a different look, this is a go-to lens to have in your camera bag. The lens isn’t priced too bad, either. You can expect to find this lens for about $625-$725 US.

Canon's EF 15mm f/2.8 Fisheye lens: If you’ve never seen images made with a fisheye lens, you’ve missed out. The fisheye lens has a 180-degree angle of view and barrel distortion giving the image a curved look. With its f/2.8 maximum aperture, this lens works well for photographing fast-action subjects and with its 8 inch minimum focus distance, you can get really close and really wide. This is a specialized lens and you probably won’t use it everyday. But when you need to give your images a different look, this is a go-to lens to have in your camera bag. The lens isn’t priced too bad, either. You can expect to find this lens for about $625-$725 US.

EF 20mm f/2.8 USM: This is a nice lens to have if you need to get wide and maintain a big maximum aperture. Plus, this lens is fairly well priced. You can expect to pick one up for about $450 US.

EF 20mm f/2.8 USM: This is a nice lens to have if you need to get wide and maintain a big maximum aperture. Plus, this lens is fairly well priced. You can expect to pick one up for about $450 US.

EF 24mm f/1.4L II USM: This is one of my favorite wide-angle lenses. First of all, it produces needle-sharp images from corner-to-corner. Second, its ultra-fast f/1.4 maximum aperture is ideal for photojournalists who may be shooting in tight spaces with less-than-ideal lighting. Also, this lens offers extremely pleasing bokeh (the out-of-focus, soft blur when using a shallow depth of field). The ultrasonic motor allows for highly responsive and quiet autofocus. Again, being a pro-series lens, the EF 24mm f/1.4L II USM isn’t cheap. Expect to pay between $1700-$1800 US.

EF 24mm f/1.4L II USM: This is one of my favorite wide-angle lenses. First of all, it produces needle-sharp images from corner-to-corner. Second, its ultra-fast f/1.4 maximum aperture is ideal for photojournalists who may be shooting in tight spaces with less-than-ideal lighting. Also, this lens offers extremely pleasing bokeh (the out-of-focus, soft blur when using a shallow depth of field). The ultrasonic motor allows for highly responsive and quiet autofocus. Again, being a pro-series lens, the EF 24mm f/1.4L II USM isn’t cheap. Expect to pay between $1700-$1800 US.

EF 24mm f/2.8: This lens is really ideal for students interested in photography but not ready - or able - to make a huge financial investment. The lens has a fast maximum aperture of f/2.8 and a great focal length to get into wide-angle photography. It has a minimum focus distance of 10 inches, which lets you get fairly close to your subject. You can pick this lens up for about $310 US.

EF 24mm f/2.8: This lens is really ideal for students interested in photography but not ready - or able - to make a huge financial investment. The lens has a fast maximum aperture of f/2.8 and a great focal length to get into wide-angle photography. It has a minimum focus distance of 10 inches, which lets you get fairly close to your subject. You can pick this lens up for about $310 US.

EF 28mm f/2.8: This lens is considered a good standard wide-angle lens. It’s a nice walk around lens because its both lightweight (185g) and offers a nice focal length for general photographic work. Again, this isn’t an expensive lens. You can find one for about $200 US.

EF 28mm f/2.8: This lens is considered a good standard wide-angle lens. It’s a nice walk around lens because its both lightweight (185g) and offers a nice focal length for general photographic work. Again, this isn’t an expensive lens. You can find one for about $200 US.

EF 35mm f/1.4L USM: This is another great lens I enjoy using. It has a super fast maximum aperture of f/1.4 and is a really well-made lens. For those of you who don’t own a full frame camera, which many Canon digital cameras have a 1.6x magnification ratio, this lens is a really nice portrait lens because it gives you an actual focal length of 56mm. The bokeh effect of this lens is also aesthetically pleasing. Like most pro, L-series lenses, this one isn’t too cheap. Expect to part with $1200-$1400 US for this lens.

EF 35mm f/1.4L USM: This is another great lens I enjoy using. It has a super fast maximum aperture of f/1.4 and is a really well-made lens. For those of you who don’t own a full frame camera, which many Canon digital cameras have a 1.6x magnification ratio, this lens is a really nice portrait lens because it gives you an actual focal length of 56mm. The bokeh effect of this lens is also aesthetically pleasing. Like most pro, L-series lenses, this one isn’t too cheap. Expect to part with $1200-$1400 US for this lens.

EF 35mm f/2: This is a less-priced lens that still offers the 35mm focal length and a fast aperture. Although it’s not as solidly built as the EF 35 f/1.4L USM lens, it still offers the photographer a compact, lightweight and relatively low-cost lens. You can purchase this lens for about $300 US.

EF 35mm f/2: This is a less-priced lens that still offers the 35mm focal length and a fast aperture. Although it’s not as solidly built as the EF 35 f/1.4L USM lens, it still offers the photographer a compact, lightweight and relatively low-cost lens. You can purchase this lens for about $300 US.

EF 28mm f/1.8 USM: A nice all-around lens, this model offers a super fast maximum aperture and sharp edge-to-edge images across the aperture range. A good student lens, you can purchase this model for about $450 US.

EF 28mm f/1.8 USM: A nice all-around lens, this model offers a super fast maximum aperture and sharp edge-to-edge images across the aperture range. A good student lens, you can purchase this model for about $450 US.

Sample image from the Canon EF 14mm f/2.8L II USM lens. (Photo Credit: Image from Canon)

Sample image from the Canon EF 14mm f/2.8L II USM lens. (Photo Credit: Image from Canon)

For our next installment, we’ll discuss Canon’s standard and medium telephoto prime lenses. Good luck and keep shooting!

Sample image from the Canon EF 24mm f/1.4L II USM lens. (Photo Credit: Image from Canon)

Sample image from the Canon EF 24mm f/1.4L II USM lens. (Photo Credit: Image from Canon)

Sample image from the Canon's EF 15mm f/2.8 Fisheye lens. (Photo Credit: Image from Canon)

Sample image from the Canon's EF 15mm f/2.8 Fisheye lens. (Photo Credit: Image from Canon)

Advertisements

Nikon Introduces Versatile Ultra Wide-Angle 10-24mm DX-Format Nikkor Lens

leave a comment »

I will often publish media releases related to photography on this blog in order to help keep you informed. These media releases are created by the respective companies. I edit the releases for space as needed.

Nikon Inc. today announced the next addition to the expansive NIKKOR lineup with the new AF-S DX-NIKKOR 10-24mm f/3.5-4.5G ED lens, giving photographers the opportunity to capture a unique perspective in a variety of shooting environments. Compact and lightweight, the new 2.4x zoom DX-NIKKOR lens offers a focal length of 10 to 24mm, creating a picture angle ranging from 109-degrees to 61-degrees
(FX-format equivalent of 15-36mm) making it ideal for a variety of applications including restrictive interiors, architecture and sweeping landscapes.
af-s_dx_nikkor_10-24mm_f-3_5-4_5g_ed_01
“The development and release of the 10-24mm f/ 3.5-4.5 DX-NIKKOR lens continues Nikon’s tradition of providing expertly engineered tools for photographers to realize their unique creative vision,” said Edward Fasano, General Manager for marketing, SLR Systems Products at Nikon Inc. “The ultra wide-angle 10-24mm lens offers DX-format digital SLR shooters the outstanding performance for which NIKKOR optics are well-known and the opportunity to capture dramatic perspectives that only wide-angle lenses can achieve.”

The AF-S DX-NIKKOR 10-24mm f/3.5-4.5G ED lens offers an array of versatile Nikon technologies, including Nikon’s compact Silent Wave Motor (SWM) technology for quiet, fast and accurate autofocus performance. An advanced optical formula, featuring two extra-low dispersion (ED) glass and three aspherical lens elements renders stunning images while minimizing distortion, a common problem with ultra wide-angle lenses.

A rounded diaphragm opening, combined with the seven-blade aperture, contributes to the 10-24mm lens’ ability to capture images with soft background effects, referred to by experienced photographers as the “bokeh.” Additionally, the new DX-NIKKOR lens offers the user two focus modes; manual and automatic and features an M/A mode that allows the photographer to quickly switch between the two modes. Both use an internal focusing (IF) design that enhances AF speed and eliminates lens barrel rotation and changes to lens barrel length during focusing.

Fully compatible with Nikon’s complete line of DX-format digital SLR cameras – including the D300, D90, D60, D40 and the newly announced D5000 – the AF-S DX-NIKKOR 10-24mm f/3.5-4.5G ED lens enables photographers to broaden their view in new and interesting ways. FX-format shooters can also benefit from the AF-S DX-NIKKOR 10-24mm f/3.5-4.5G ED, as Nikon’s FX-format cameras – the D3X, D3, and D700 – will automatically apply the DX-Crop Mode when shooting.

The AF-S DX-NIKKOR 10-24mm f/3.5-4.5G ED will be available at Nikon authorized dealers beginning May 2009 at an estimated selling price of $899.95. For more information, please visit www.nikonusa.com.